A Look at Katherine Ryan's Take on Feminism, Success, Negative Reviews and Audacity.
‘Especially in this place, I believe you needed me. You didn't comprehend it but you required me, to alleviate some of your own shame.” The performer, the 42-year-old Canadian comic who has lived in the UK for nearly 20 years, brought along her recently born fourth child. She takes off her breast pumps so they don’t make an annoying sound. The first thing you observe is the incredible ability of this woman, who can project parental devotion while forming sequential thoughts in complete phrases, and never get distracted.
The second thing you observe is what she’s renowned for – a genuine, inherent fearlessness, a refusal of artifice and hypocrisy. When she emerged in the UK comedy scene in 2008, her challenge was that she was very good-looking and refused to act not to know it. “Aiming for elegant or beautiful was seen as catering to male approval,” she remembers of the start of the decade, “which was the opposite of what a comedian would do. It was a fashion to be humble. If you went on stage in a glamorous outfit with your underwear and heels, like, ‘I think I’m stunning,’ that would be seen as really unappealing, but I did it because that’s what I wanted.”
Then there was her routines, which she summarises simply: “Women, especially, craved someone to arrive and be like: ‘Hey, that’s OK. You can be a feminist and have a enhancement and have been a bit of a slag for a while. You can be imperfect as a mother, as a spouse and as a chooser of men. You can be someone who is afraid of men, but is self-assured enough to criticize them; you don’t have to be deferential to them the whole time.’”
‘If you went on stage in your lingerie and heels, that would be seen as really alienating’
The underlying theme to that is an insistence on what’s authentic: if you have your infant with you, you most likely have your feeding equipment; if you have the facial structure of a youth, you’ve most likely had tweakments; if you want to lose weight, well, there are treatments for that. “I’m not on any yet, but I’ll consider them when I’ve stopped breastfeeding,” she says. It gets to the heart of how women's liberation is conceived, which in my view has stayed the same in the past 50 years: empowerment means being attractive but not dwelling about it; being universally desired, but without pursuing the attention of men; having an impermeable sense of self which God forbid you would ever surgically enhance; and in addition to all that, women, especially, are expected to never think about money but nevertheless thrive under the demands of late capitalist conditions. All of which is sustained by the majority of us pretending, most of the time.
“For a considerable period people went: ‘What? She just discusses things?’ But I’m not trying to be challenging all the time. My experiences, behaviors and errors, they live in this realm between confidence and embarrassment. It occurred, I talk about it, and maybe relief comes out of the punchlines. I love revealing confessions; I want people to tell me their private thoughts. I want to know missteps people have made. I don’t know why I’m so thirsty for it, but I view it like a connection.”
Ryan grew up in Sarnia, Ontario, a place that was not notably prosperous or cosmopolitan and had a active community theater musicals scene. Her dad owned an technical company, her mother was in IT, and they demanded a lot of her because she was vivacious, a high achiever. She longed to get out from the age of about seven. “It was the kind of town where people are very happy to live nearby to their parents and live there for a lifetime and have one another's children. When I return now, all these kids look really recognizable to me, because I spent my childhood with both their parents.” But isn't it true she partnered with her own high school sweetheart? She traveled back to Sarnia, caught up with Bobby Kootstra, who she dated as a teenager, and now – six years later – they have three children together, plus Violet, now 16, who Ryan had brought up until then as a solo mom. “Right,” says Ryan. “Sometimes I think there’s a different path where I haven’t done that, and it’s still just Violet and me, sophisticated, cosmopolitan, portable. But we can’t fully escape where we originated, it appears.”
‘We cannot completely leave behind where we came from’
She got away for a bit, aged 18, and moved to Toronto, which she adored. These were the Hooters years, which has been a further cause of debate, not just that she worked – and liked the job – in a venue (except this is a myth: “You would be let go for being undressed; you’re not allowed to take your shirt off”), but also for a bit in one of her performances where she mentioned giving a manager a blowjob in return for being allowed to go home early. It crossed so many red lines – what even was that? Abuse? Prostitution? Inappropriate conduct? Betrayal (towards whoever it was who had to stay late so she could leave early)? Whatever it was, you absolutely were not expected to joke about it.
Ryan was amazed that her anecdote generated anger – she got on with the guy! She also wanted to go home early. But it revealed something broader: a strategic rigidity around sex, a sense that the price of the #MeToo movement was demonstrative modesty. “I’ve always found this notable, in debates about sex, agreement and abuse, the people who misinterpret the nuance of it. Therefore if this is abuse, why isn’t that abuse?” She references the equating of certain remarks to lyrics in popular music. “They said: ‘Well, how’s that dissimilar?’ I thought: ‘How is it comparable?’”
She would not have come to London in 2008 had it not been for her romantic interest. “Everyone said: ‘Don’t go to London, they have vermin there.’ And I hated it, because I was suddenly broke.”
‘I felt confident I had material’
She got a job in retail, was told she had lupus, which can sometimes make it difficult to get pregnant, and at 23, decided to try to have a baby. “When you’re first diagnosed something – I was quite unwell at the time – you go to the worst-case scenario. My rationale with my boyfriend was, we’ve had so many ups and downs, if we haven’t split up by now, we never will. Now I see how extended life is, and how many things can alter. But at 23, I was unaware.” She was able to get pregnant and had Violet.
The subsequent chapter sounds as high-pressure as a tense comedy film. While on time off, she would take care of Violet in the day and try to enter standup in the evening, taking her daughter with her. She was aware from her sales job that she had no problem being convincing, and she had confidence in her sharp humor from her time at Hooters; more than that, she says simply, “I felt sure I had jokes.” The whole industry was shot through with bias – she won a major comedy award in 2008, just over a year after she’d started performing, a prize that was established in the context of a ongoing debate about whether women could be funny